Hey guys,
Hope you're having a glorious summer! Wilma the Beagle's summer has been quite relaxing, as you can see...
So, I was asked to be part of a Blog Writer Chain Thingie (not the official name), in which the baton was passed from my dear novelist friend (and writers' group member) Laura Pritchett to me, and after answering these questions, I in turn, will pass it along to another writer friend...
If you want to see Laura's interview, you can go here and see it in conversation form with another awesome writer friend, Amy Kathleen Ryan. Laura Pritchett's latest novel is STARS GO BLUE and it's gorgeous and gritty and moving. (Note it's marketed for adults, not YA.)
Here is the blurb I posted about STARS GO BLUE on Goodreads:
Reading this book was a
profound experience that I don't think I'll ever forget. It made me
FEEL so DEEPLY. It made me feel BIG things, like life and death and
love and sorrow and laughter and landscape... Pritchett has this
incredible ability to capture the expansive range of human experience
and make readers feel it all, right down to their bones. I was already
crying just a few pages in-- but the good kind of crying, the kind that
lets you glimpse what matters about being a human on earth. There are
hard and gritty elements in this book, like the murder of a loved one
and mental deterioration from Alzheimer's... but there is a soaring
beauty as well, seen in the poetically spiritual descriptions of snow or
trees. And Pritchett somehow manages to weave all this poignancy into a
suspenseful and breath-taking plot that kept me glued to the book.
Okay, so as I understand it, for this Blog Writer Chain Thingie, I am supposed to answer these questions about my own writing:
1. What am I
currently working on?
I'm revising my upcoming novel with my wonderful new editor... and I hate to be mysterious, but the contract is not quite signed, so I'm not allowed to tell you about it yet.... argh!!! (I'll just say that it's set in Oaxaca, Mexico and there's magical realism in it, as well as a rescued skunk, goat, and duckling. It also involves a caravan and outdoor films and lightning and coins and dust.) Okay, I'm afraid I'll get in trouble if I say anything else, so I'll move on to the next question!)
2. How does my work differ from others of its genre?
I feel passionate about indigenous rights and immigration issues, and I hope this comes through in my novels. I think these issues need to be approached with a sense of empathy and compassion, and with the understanding that we're all connected on this earth. I think that my anthropology training comes through in my work-- I know my participant-observation research style has been an essential part of my process. Oh, and also, I can't resist weaving in sparkling threads of magic and travel and adventure...
3. Why do I write what I write?
Er, see above? ;-)
4. How does
my individual writing/illustrating process work?
Let's see, first I find myself jotting down ideas and notes on a possible future story. This stage often involves my dozens of spiral-bound notebooks, and it might take a few months, or a few years, or a few decades. At some point, I start writing bits and pieces of the story, sometimes from the beginning, sometimes not. I don't censor myself, and let it flow out in a stream-of-consciousness way.
After a few pages, or a few dozen pages, I write a kind of provisional outline, mapping out the character arcs and plots and subplots. I also take notes on the imagery, symbolism, tone, atmosphere, etc. Then I write more stream-of-consciousness stuff for a while, and then at some point, I revisit the outline and tweak some things to accommodate all the cool surprises that pop up while I'm doing the actual writing. I go back and forth like this for months, and sometimes years.
When I have a pretty good chunk of manuscript, I start revising, looking at elements like character development, pacing, plot, layers of meaning, imagery, language, etc. I might move between revising what I have, revisiting the outline, and writing new stuff, until finally I have a solid draft.
I show it to my critique partners and writing group members, and once they give me their feedback, I do more revising. When it feels right, I pass it along to my agent and if she wants any revisions, I do them. Then it's on to my editor. And then there's more revising ahead...
which is where I am now. I'm at the point where I'm fine-tuning and polishing and fact-checking, working with a spiral bound hard copy. It's nice because I can just sit on the wee balcony just outside my writing room, get cozy with Wilma, and revise away...
Okay, so I'm not sure yet which writer will be next in this chain, but once I know, I'll update this post with an intro and a link.
Thanks for swinging by, and have fun this summer!
xo,
Laura
Let's see, first I find myself jotting down ideas and notes on a possible future story. This stage often involves my dozens of spiral-bound notebooks, and it might take a few months, or a few years, or a few decades. At some point, I start writing bits and pieces of the story, sometimes from the beginning, sometimes not. I don't censor myself, and let it flow out in a stream-of-consciousness way.
After a few pages, or a few dozen pages, I write a kind of provisional outline, mapping out the character arcs and plots and subplots. I also take notes on the imagery, symbolism, tone, atmosphere, etc. Then I write more stream-of-consciousness stuff for a while, and then at some point, I revisit the outline and tweak some things to accommodate all the cool surprises that pop up while I'm doing the actual writing. I go back and forth like this for months, and sometimes years.
When I have a pretty good chunk of manuscript, I start revising, looking at elements like character development, pacing, plot, layers of meaning, imagery, language, etc. I might move between revising what I have, revisiting the outline, and writing new stuff, until finally I have a solid draft.
I show it to my critique partners and writing group members, and once they give me their feedback, I do more revising. When it feels right, I pass it along to my agent and if she wants any revisions, I do them. Then it's on to my editor. And then there's more revising ahead...
which is where I am now. I'm at the point where I'm fine-tuning and polishing and fact-checking, working with a spiral bound hard copy. It's nice because I can just sit on the wee balcony just outside my writing room, get cozy with Wilma, and revise away...
Okay, so I'm not sure yet which writer will be next in this chain, but once I know, I'll update this post with an intro and a link.
Thanks for swinging by, and have fun this summer!
xo,
Laura
